{"id":164,"date":"2023-04-25T12:04:37","date_gmt":"2023-04-25T16:04:37","guid":{"rendered":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/?page_id=164"},"modified":"2023-04-25T12:04:37","modified_gmt":"2023-04-25T16:04:37","slug":"glory-by-john-legend-and-common","status":"publish","type":"page","link":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/educ323-infusion-of-music-hip-hop-blurbs\/glory-by-john-legend-and-common\/","title":{"rendered":"&#8220;Glory&#8221; by John Legend and Common"},"content":{"rendered":"<p><span style=\"font-weight: 400\">\u201cGlory,\u201d by John Legend and Common is a song that infuses both rap and soul elements. Written for the movie <\/span><i><span style=\"font-weight: 400\">Selma, <\/span><\/i><span style=\"font-weight: 400\">\u201cGlory\u201d portrays historical figures and events in a timeless way, which can be connected to modern-day societal ills.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">To introduce \u201cGlory\u201d to a high school-level History class, I would ask students if they had ever watched the movie <\/span><i><span style=\"font-weight: 400\">Selma<\/span><\/i><span style=\"font-weight: 400\">, or heard any of John Legend\u2019s or Common\u2019s music. After hearing students&#8217; responses, I would introduce the song lyrics, and ask students to share their initial thoughts and reactions. After hearing the reactions of students, I would draw their attention to specific lyrics. <\/span><span style=\"font-weight: 400\">\u00a0I would then engage students in a writing exercise surrounding what these lyrics mean to them.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The use of \u201cGlory\u201d in the classroom supports multiple tenets regarding how to build a culturally relevant class. Specifically, the lesson plan supports, \u201c<\/span><span style=\"font-weight: 400\">(b) Students are apprenticed in a learning community rather than taught in an isolated and unrelated way,\u201d and, \u201c(d)\u00a0 Teachers and students participate in a broad conception of literacy that incorporates both literature and oratory\u201d (Stovall, 588). By holding a classroom discussion, students are exposed to other perspectives and ideas, rather than focusing on learning independently and silently. Additionally, literacy, auditory, oral, and writing skills are each incorporated through this lesson, by collaborating with others, reading lyrics, and writing a response. Furthermore, studying the messages present in \u201cGlory\u201d relate to the fifth tenet, \u201cTeachers and students engage in a collective struggle against the status quo\u201d (Stovall, 588). Infusing hip-hop culture into mainstream curriculum counteracts the traditional white-focused curriculum present in most classrooms.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cGlory\u201d can also be used to implement various aspects of critical pedagogy. For example, studying this song itself supports two of the Critical Race Theory (CRT) boundaries, \u201cCRT in education rejects ahistoricism and examines the historical linkages between contemporary educational inequity and historical patterns of racial oppression,\u201d and, \u201cCRT in education agitates and advocates for meaningful outcomes that redress racial inequity\u201d (Dixson &amp; Rousseau Anderson). When trying to incorporate critical pedagogy in the classroom, it is critical to focus on the works and stories from people of color, instead of simply using the traditional white narratives. The song talks about historical details in a timeless way, and reminds listeners that the fight towards racial equity is not over.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Sources:\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Adrienne D. Dixson &amp; Celia Rousseau Anderson (2018) Where are We? Critical Race Theory in Education 20 Years Later, Peabody Journal of Education, 93:1, 121-131, DOI: 10.1080\/0161956X.2017.1403194, <\/span><a href=\"https:\/\/doi.org\/10.1080\/0161956X.2017.1403194\"><span style=\"font-weight: 400\">https:\/\/doi.org\/10.1080\/0161956X.2017.1403194<\/span><\/a><span style=\"font-weight: 400\"> .<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400\">Common &amp; John Legend &#8211; Glory Lyrics<\/span><\/i><span style=\"font-weight: 400\">, Genius, 11 Dec. 2014, <\/span><a href=\"https:\/\/genius.com\/Common-and-john-legend-glory-lyrics\"><span style=\"font-weight: 400\">https:\/\/genius.com\/Common-and-john-legend-glory-lyrics<\/span><\/a><span style=\"font-weight: 400\"> . Accessed 16 Mar. 2023.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Stovall, David. \u201cWe Can Relate.\u201d <\/span><i><span style=\"font-weight: 400\">Urban Education<\/span><\/i><span style=\"font-weight: 400\">, vol. 41, no. 6, 2006, pp. 585\u2013602., https:\/\/doi.org\/10.1177\/0042085906292513.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Contributor: Olivia Crowley<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cGlory,\u201d by John Legend and Common is a song that infuses both rap and soul elements. Written for the movie Selma, \u201cGlory\u201d portrays historical figures and events in a timeless way, which can be connected to modern-day societal ills.\u00a0 To introduce \u201cGlory\u201d to a high school-level History class, I would ask students if they had [&hellip;]<\/p>\n","protected":false},"author":2976,"featured_media":0,"parent":96,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/pages\/164"}],"collection":[{"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/users\/2976"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/comments?post=164"}],"version-history":[{"count":1,"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/pages\/164\/revisions"}],"predecessor-version":[{"id":171,"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/pages\/164\/revisions\/171"}],"up":[{"embeddable":true,"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/pages\/96"}],"wp:attachment":[{"href":"https:\/\/commons.trincoll.edu\/criticalpedagogy\/wp-json\/wp\/v2\/media?parent=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}