{"id":1634,"date":"2015-02-12T17:36:06","date_gmt":"2015-02-12T21:36:06","guid":{"rendered":"http:\/\/commons.trincoll.edu\/ebuckhor\/?page_id=1634"},"modified":"2015-02-12T17:36:06","modified_gmt":"2015-02-12T21:36:06","slug":"nancy-moore-75","status":"publish","type":"page","link":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/profiles\/nancy-moore-75\/","title":{"rendered":"Nancy Moore \u201975"},"content":{"rendered":"<p><b><a href=\"http:\/\/commons.trincoll.edu\/reporter-winter2015\/files\/2015\/02\/Moore.jpg\"><img loading=\"lazy\" class=\"alignright size-full wp-image-1667\" alt=\"Moore\" src=\"http:\/\/commons.trincoll.edu\/reporter-winter2015\/files\/2015\/02\/Moore.jpg\" width=\"200\" height=\"329\" srcset=\"https:\/\/commons.trincoll.edu\/reporter-winter2015\/files\/2015\/02\/Moore.jpg 200w, https:\/\/commons.trincoll.edu\/reporter-winter2015\/files\/2015\/02\/Moore-182x300.jpg 182w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>DEGREE: <\/b>B.A., English<\/p>\n<p><b>JOB TITLE<\/b><b>: <\/b>Visual artist working in many mediums; 36 years as book editor and proofreader<\/p>\n<p><b>FAVORITE TRINITY MEMORY: <\/b>Getting thrown in the Housatonic River several times after coxing the women\u2019s crew to win. I wasn\u2019t very good at being a cox, but the women\u2019s crew was unstoppable, and there was nothing like the feeling of being in that boat, with everyone pulling so powerfully in unison.<\/p>\n<p><b><i>REPORTER<\/i><\/b><b>:<\/b> How did your career as an artist begin?<br \/>\n<b>MOORE:<\/b> I\u2019d been making art since early childhood, but things really began percolating in the late \u201990s as a result of reading <i>The Artist\u2019s Way<\/i>, by Julia Cameron, along with a group. I went into this group thinking that I was finally going to write the young adult novel I\u2019d been pondering and instead ended up creating my first painting. That painting ended up being the first work of art I ever sold, at my first exhibition.<\/p>\n<p><b><i>REPORTER<\/i><\/b><b>:<\/b> What is your favorite medium to work with? Why?<br \/>\n<b>MOORE: <\/b>This may sound weird, but my favorite media are Crayola crayons and watercolors. This happened in response to the life-changing workshop mentioned above, when the group\u2019s leader asked us to go home and make a \u201ccreativity doll\u201d while keeping in mind what made us happiest as children. What made me happiest was sprawling on the floor of my playroom while drawing with crayons. So, on a large slice of gorgeous handmade paper, the adult me painted a large chameleon using crayons and paint and titled it \u201cSelf-Portrait,\u201d the idea being that women in particular shed and grow new skin as we assume a multitude of roles over a lifetime. At this point, I have created and sold a substantial body of work using these materials, along with graphite, metallic paint, gouache, and colored pencil. I also create knitted \u201cblanket statements\u201d and woodcuts, all of which can be viewed on my Web site (<a href=\"http:\/\/www.nancymooreart.com\" target=\"_blank\">www.nancymooreart.com<\/a>).<\/p>\n<p><b><i>REPORTER<\/i><\/b><b>: <\/b>What is the most rewarding part of your work?<br \/>\n<b>MOORE:<\/b> For me, the best part of painting is that magic that sometimes happens between idea and execution, when I see that I\u2019ve translated what was in my head onto a physical surface. It\u2019s icing on the cake when a viewer \u201cgets\u201d what I\u2019m trying to communicate. It\u2019s a terrifying process, presenting my work to others, but I do it often and widely because it seems important to get my art out there. The other thing I love about art is that it seems to be a safe way to discuss topics that are, in other contexts, hot buttons. After my son came out as transgender, I looked to my art to express my confusion and my awe. I began knitting and framing \u201cblanket statements,\u201d baby blankets that address the topic of transgender. That\u2019s when I approached a gallery about curating a show about the continuum of gender identity, and it ended up being a huge success, with artists from all over the world representing their work on this theme. Curating is now one of my favorite things to do. Artistically, I\u2019ve moved on to other subject matter and am presently painting a series of \u201cunconventional women,\u201d exploring the idea of nontraditional beauty and traditional women\u2019s roles.<\/p>\n<p><b><i>REPORTER<\/i><\/b><b>:<\/b> Which course at Trinity had the biggest impact on you? Why?<br \/>\n<b>MOORE:<\/b> That\u2019s a tough one, because I experienced an embarrassment of riches when it came to professors and courses at Trinity. Judy Dworin\u2019s dance classes were transformative for me. The revelation for me was that any \u201cbody\u201d could participate\u2013the class had all shapes and sizes, including mine, which had become unrecognizable to me as I ate my way through my unhappiness at school. In those classes, I came to accept myself in a new way. Another impact came from the Fine Arts Department in the person of George Chaplin, a disciple of Josef Albers at Yale, who graciously took me on as an independent study student. Chaplin took a look at the black and white drawings I made during freshman year and said, \u201cThis is where you live.\u201d His only requirement was that I put down my Rapidograph pen and begin working in color\u2013after all, color theory was Chaplin\u2019s thing! His patient and generous guidance laid an artistic foundation that I could build on much later in my life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DEGREE: B.A., English JOB TITLE: Visual artist working in many mediums; 36 years as book editor and proofreader FAVORITE TRINITY<\/p>\n","protected":false},"author":34,"featured_media":0,"parent":1468,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":[],"_links":{"self":[{"href":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/wp-json\/wp\/v2\/pages\/1634"}],"collection":[{"href":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/wp-json\/wp\/v2\/comments?post=1634"}],"version-history":[{"count":0,"href":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/wp-json\/wp\/v2\/pages\/1634\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/wp-json\/wp\/v2\/pages\/1468"}],"wp:attachment":[{"href":"https:\/\/commons.trincoll.edu\/reporter-winter2015\/wp-json\/wp\/v2\/media?parent=1634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}