by Alden R. Gordon, Gwendolyn Miles Smith Professor of Art History and Chair of the Fine Arts Department, Trinity College
- Wend von Kalnein, Architecture in France in the Eighteenth Century, New Haven and London, Yale University Press, 1972, reissued 1995 (about $85) (0-300-06013-0)
- Michael Levey, Painting and Sculpture in France 1700-1789, New Haven, Yale Univ. Press, (paperback, Amazon new $35, used $17.95); (0-3-0006494-2)
- John Summerson, Architecture in Britain 1530-1830, New Haven and London, Yale University Press, 1993 (0-300-05886-1)
- Ellis Waterhouse, Painting in Britain: 1530-1790, New Haven and London, Yale University Press, 1953, 1994 (0-3-0005833-0)
- Michael Levey, Painting in Eighteenth-Century Venice, 1959. (0-3-0006057-2)
- Paul Hyland ed., The Enlightenment: A Sourcebook and Reader, New York, Routledge, 2003 [ISBN 0-415-20449-6 pap.]
- Introduction and Overview. Historical perspective. Readings from John Locke, “An Essay Concerning Human Understanding,” (1690) from Paul Hyland ed., The Enlightenment: A Sourcebook and Reader, New York, Routledge, 2003 [ISBN 0-415-20449-6 pap.]
- The Pre-eminence of France and the reordering of artistic leadership in the Late Reign of Louis XIV. The importance of the French arts institutions and their educational model.
- Palaces, Gardens and Interiors and the Expression of Power and Social Order. Reading: * Joan DeJean, “Introduction, Living Luxe” and “Fashion Queens” from The Essense of Style: How the French Invented High Fashion …, New York, Free Press, 2005. (Coursepack) and Reserve: Skim picture books on Open Reserve on Château de Vaux-le-Vicomte; Palais de Versailles; French Gardens;
- France as a Model for Europe. Reading: Wend von Kalnein, Architecture in France in the Eighteenth Century, New Haven and London, Yale University Press, 1972, (text and also on reserve). Introduction and Part I, Chapter 4.
- “Domestic Architecture in and outside Paris.” and Michael Levey, Painting and Sculpture in France 1700-1789, New Haven and London, Yale Univ. Press, 1993, Chapter 2, Sculpture: Coustou to Slodtz.
- The Importance of Paris. Urbanism, Residences for the newly wealthy and changes in manners. Reading: * Rochelle Ziskin, The Place Vendôme: Architecture and Social Mobility in Eighteenth-Century Paris, Cambridge University Press, 1999. Chapters 2, “Social Representation and Gendered Realms” pp 34-64 & Chapter 5, “Not at all Monsieur Jourdain,” pp 114-127. (Coursepack) (Book is On Reserve for consultation of illustrations, TC Library: NA 9072 . P37 P589 1999)
- Interior Architecture, Painting, Sculpture and Stucco. The Great Itinerant Artists. Reading: Kalnein, Architecture in France in the Eighteenth Century, Part Two, Chapter 5 and 7: * Katie Scott, The Rococo Interior, New Haven, Yale Univ Press, 1995, Ch 7, “Earthly Paradise on the L
eft Bank,” pp 147-176 (Coursepack). - Country Life and Gardens and Sculpture. Reading: LIBRARY RESERVE: Mark Girouard, Life in the French Country House, Chapters 5 (The Curious History of the Salon) and 6 (In and around the Boudoir).
- The Decorative Arts: Tapestry, Silver, Porcelain, Furniture, Small Sculpture, Musical and Scientific Instruments. This topic will be continued from class into the museum visits. Reading: * Carolyn Sergentson, Merchants and Luxury Markets: The Marchands Merciers of Eighteenth-Century Paris, London, Victoria and Albert Museum, 1996, Chapter 4, “Importation and Imitation,” pp. 62-96. (Coursepack). LIBRARY OPEN RESERVE: Consult pictures in books on French furniture, porcelain and tapesty.
- The Eclipse of Dutch Art and the Rise of French Painting and Sculpture. The Literary and Philosophical sources of the Enlightenment. The emergence of new or newly respectable genres in art and contrast to Academic hierarchies. French Painting and Engraving. READING:.Michael Levey, Painting and Sculpture in France 1700-1789, New Haven, …, Chapter 1 & 4 (Painting up to the Death of Boucher, 1770, sections on Boucher, Chardin, Greuze).
PART III: Italy, Austria, Germany.
- Italy in the Eighteenth Century: Rome.. Reading: *Christopher A. M. Johns, “The Entrepôt of Europe: Rome in the Eighteenth Century,” from E. Bowren and J. Rishel eds., Art in Rome in the Eighteenth Century, Philadelphia, Philadelphia Museum of Art, 2000, pp. 16-45 (Coursepack). & * John Pinto, “Architecture and Urbanism,” from E. Bowren and J. Rishel eds., Art in Rome in the Eighteenth Century, Philadelphia, Philadelphia Museum of Art, 2000, pp. 112-121. (Coursepack) [TC Quarto N 6920 .A7 2000]
- Rome as the Destination of Travelers: Per Bjurström, “Physiocratic Ideals and National Galleries,” from Per Bjurström, The Genesis of the Art Museum in the 18th Century, Stockholm, Nationalmuseum, 1993, pp. 28-60. (Coursepack)
- The Importance of Travel and First Hand Experience. II. Italian Painting, Sculpture & Decorative Arts by Artistic Centers: Naples, Venice, Turin, Genoa, Florence. Reading: Michael Levey, Venetian Painting, (On Reserve)
- Austria and the German States. Readings TBA. Library Open Reserve: Books on Meissen Porcelain; Splendor of Dresden.
- Architecture and Interior Decor in England and the British Embrace of Continentalism. Reading: John Summerson, Architecture in Britain 1530-1830, New Haven and London, Yale University Press, 1993, Chapter 17 (English Baroque: Hawksmoor, Vanbrugh, Archer); Chapter 20 (The Palladian Phase 1710-50: The Palladian Movement: Campbell, Burlington and Kent) and Chapter 23 (The House and the Street in the Eighteenth Century).
- English Painting. Hogarth and Gainsborough to Wright of Derby. Reading (On Reserve) Ellis Waterhouse, Painting in Britain: 1530-1790, New Haven and London, Yale University Press, 1953, 1994, Chapter 11 (Hogarth), Chapter 18 (Thomas Gainsborough).
PART V: Sublime, the Picturesque, National Antiquariansim and Historicism.
- Historicism in Architecture and Decorative Arts. Summerson, Chapter 24 (Building in Gothic: From Wren to Walpole); Chapter 25 (Neo-Classicism and the Picturesque 1750-1830: Neo-Classicism and Britons Abroad); Chapter 26 (William Chambers and Robert Adam).
- The Sublime and the Picturesque in Landscape Painting, Garden Design and in Art. READING: * Longinus, 1st C. AD, W. Rhys Roberts trans. Longinus: On the Sublime, Cambridge University Press, 1907, pp. 42-59, Sections 1- 8, and Section 36, pp.135-136, On Sublimity and Human Nature; (Coursepack) The English Garden: Its Sources in Baroque Landscape Painting and Its Impact on Later Art and Architecture. Waterhouse, Chapter 17 (Richard Wilson 1713-1782); Chapter 21(Wright of Derby and the Painters of Romantic Literature)
- LATER 18th C. PAINTING
- Levey, Painting and Sculpture in France 1700-1789, Chapter 4 (Painting up to the Death of Boucher, 1770 section on landscape painter Vernet) & Chapter 6 (Painting up to the Salon of 1789, through section entitled Genre: Aubry and Boilly). The Psychological and Fantastic Dimension and the Transition to Romanticism: Fuseli, Stubbs, Goya
- History Painting 1750-1789 in England and France: Reading: Waterhouse, Chapter 16 (Sir Joshua Reynolds); Chapter 19 (Foundation Members of the Royal Academy); Levey, Painting and Sculpture in France 1700-1789, Chapter 6 (Painting up to the Salon of 1789, Second part to end.) * Andrew McClellan, The Museum and Its Public in Eighteenth-Century France,” from Per Bjurström, The Genesis of the Art Museum in the 18th Century, Stockholm, Nationalmuseum, 1993, pp. 61-80 (Coursepack)
- French Sculpture. Bouchardon, Caffiery & Falconet to Houdon. READING: Levey, Painting and Sculpture in France 1700-1789, Chapters 3 & 5.
- French Architecture from Soufflot to Ledoux. Reading: Kalnein, Architecture in France, Part Three, Early Neoclassicism. Note that interior styles are dealt with in the sections on “Decoration.” Library Open Reserve: Books on Neoclassicism in Decorative Arts.